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NEW QUESTION: 1
An organization wants to provide backup services in the cloud. They have no backup infrastructure in place. The organization has concerns about losing data if a site disaster occurs. They want to maintain control of backup data placement because of data privacy laws. Finally, they want to maintain at least one month's worth of backups onsite.
Which backup solution will meet these requirements?
A. Local backup
B. Local backup with replication
C. Remote backups
D. Local backups with cloud gateway
Answer: D
Explanation:
Explanation/Reference:
Cloud gateway allows EMC customers to move on-premise data from EMC arrays to public cloud storage providers. Clod gateway facilitate data migration from on-premises to a public cloud storage service to create a true hybrid cloud storage environment.
Cloud gateways such as Riverbed's SteelStore (formally known as Whitewater) can act as a local backup target for funneling data to a storage cloud for offsite storage.
References:
http://blogs.forrester.com/henry_baltazar/14-07-09-
gateways_will_accelerate_data_migration_to_the_cloud
NEW QUESTION: 2
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and
wider-ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It
is infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese
colony on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique. During this time, Abe worked in the genres of theater, music, and
photography. Eventually, he mimeographed fifty copies of his first "published" literary work, entitled
Anonymous Poems, in 1947. It was a politically charged set of poems dedicated to the memory of his
father and friends who had died in Manchuria. Shortly thereafter, he published his first novel, For a
Signpost at the End of a Road, which imagined another life for his best friend who had died in the
Manchurian desert. Abe was also active in the Communist Party, organizing literary groups for
workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growthdriven, increasingly corporate society.
The author's main purpose in the passage is to
A. demonstrate that Abe's work became less interesting after he left Manchuria.
B. argue that Abe is an even greater writer and artist than generally perceived.
C. explain the differences between Abe's earlier and later works.
D. defend Abe's later works against the prevalent criticism of it.
E. advocate for Abe's work over that of his contemporaries.
Answer: B
Explanation:
The author's purpose in paragraph 4 is to suggest that too much attention has been given to Abe's later
work. So the answer cannot be (A). There is only a brief comparison to Abe's contemporaries, so B. is too
specific. E. is not factually correct, since most of the work the passage discusses was produced in Japan.
You are left with C. and (D). C. is too neutral; this author is opinionated. She/he does not suggest that
Abe's later work is bad, but rather that his early work also deserves attention. Choice D. is the best
answer.
NEW QUESTION: 3
Which option represents a subject expert from a Cisco Channel Partner's ecosystem recommended for you to use as a source of insight?
A. The customer's lead procurement official
B. A sales rep for one of the Partner's competitors
C. A government regulatory official familiar with the customer
D. An IT architect working at a software company that markets solutions bundled with the Channel Partner's offerings
Answer: D