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NEW QUESTION: 1
A. Option D
B. Option C
C. Option A
D. Option B
Answer: D
NEW QUESTION: 2
Assuming no database connections exist, which of the following will dynamically change the LOCKLIST database configuration parameter for a database named SAMPLE to AUTOMATIC?
A. CONNECT TO sample;
UPDATE DB CFG FOR sample USING LOCKLIST AUTOMATIC IMMEDIATE;
CONNECT RESET;
B. UPDATE DB CFG FOR sample USING LOOCKLIST 8192 AUTOMATIC IMMEDIATE
C. ATTACH TO db2inst1;
UPDATE DB CFG FOR sample USING LOCKLIST AUTOMATIC;
DETACH;
D. UPDATE DB CFG FOR sample USING LOOCKLIST AUTOMATIC IMMEDIATE
Answer: A
NEW QUESTION: 3
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
The author's main purpose in the passage is to
A. argue that Abe is an even greater writer and artist than generally perceived.
B. demonstrate that Abe's work became less interesting after he left Manchuria.
C. explain the differences between Abe's earlier and later works.
D. defend Abe's later works against the prevalent criticism of it.
E. advocate for Abe's work over that of his contemporaries.
Answer: A
Explanation:
Explanation/Reference:
The author's purpose in paragraph 4 is to suggest that too much attention has been given to Abe's later
work. So the answer cannot be (A). There is only a brief comparison to Abe's contemporaries, soB.is too
specific.E.is not factually correct, since most of the work the passage discusses was produced in Japan.
You are left with C. and (D).C.is too neutral; this author is opinionated. She/he does not suggest that
Abe's later work is bad, but rather that his early work also deserves attention. Choice D.is the best
answer.