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NEW QUESTION: 1
(Select TWO).
A. Changing wireless speed standards
B. Changing wireless channels
C. WPA encryption
D. MAC filtering
E. SSID disable
Answer: C,D
NEW QUESTION: 2
What are the prerequisites for using the Web user interface for HDBLCM?
There are 2 correct answers to this question.
Response:
A. The SAP HANA database is revision 90 or higher
B. Internet Explorer - Version 8 or higher
C. The communication port 1329 is open
D. The communication port 1129 is open
Answer: A,D
NEW QUESTION: 3
Refer to topology and Exhibits below:
What is the reason that this MGCP gateway is not registered with Cisco Unified Communications Manager?
A. This MGCP gateway is not down; it is operational.
B. The primary server address is incorrect.
C. The MGCP domain name is incorrect on either the Cisco Unified Communications Manager or the router.
D. Backhaul/Redundant link port is incorrect
Answer: C
NEW QUESTION: 4
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and
wider-ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It
is infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese
colony on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique. During this time, Abe worked in the genres of theater, music, and
photography. Eventually, he mimeographed fifty copies of his first "published" literary work, entitled
Anonymous Poems, in 1947. It was a politically charged set of poems dedicated to the memory of his
father and friends who had died in Manchuria. Shortly thereafter, he published his first novel, For a
Signpost at the End of a Road, which imagined another life for his best friend who had died in the
Manchurian desert. Abe was also active in the Communist Party, organizing literary groups for
workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growthdriven, increasingly corporate society.
The author's attitude toward Marxism can best be described as
A. contemptuous derision.
B. restrained impatience.
C. reverent espousal.
D. respectful interest.
E. skeptical tolerance.
Answer: D
Explanation:
The author of this passage does express many strong opinions, but not in regard to Marxism. You can
therefore eliminate both A. and (B). If anything, she/he is more positive than negative about the influence
of Marxism on Abe's work. Eliminate C. and (E), which imply a negative bias. The answer is (D).